Photo / Video lights

- Rollei LUMIS Key Light Pro
- the light does not dazzle due to the special arrangement of the LEDs
- LED video light incl. table stand + remote control
- Number of LEDs: 192 (96 cool white, 96 warm white)
- dimmable + color temperature adjustable between 2,500 and 9,000 K
- Power supply via USB connection (cable length: 2 m)
- Remote control max. range: 20 m
- Stand height 28.5 to 78 cm
- Energy efficiency class: G
- Energy consumption in kWh (at 1000h): 10
- SmallRig 4634 RF 10C Portable Focusable LED Video Light
- Light with four-color LED lamp beads
- Output of 10 W and RI Ra-96
- TLCI-98 and illuminance levels of 1,570 lux at 0.5/ 5600 K
- 20 light filters (gobos)
- Response angle approx. 10°-60
- three 1/4 inch 20 threaded holes
- USB-C
- 60 LEDs for a brightness of 200 lux at 0.5 m (5500k)
- 360 colors controllable
- Flexibly adjustable brightness (0 - 100 %)
- Battery life up to 10 hours (at minimum light intensity)
- Can be used with smartphones, action cams, gimbals or DSLM cameras
- Easy mounting via 1/4" tripod thread or flash shoe
- Godox LED SL100D Daylight
- 100W output power
- 5600K Daylight color temperature
- CRI 96 TLCI 97
- 120 degree beam angle
- 32 channels/16 groups
- Bowens mount
Free live consultation
Your individual consultation - from the comfort of your sofa
Arrange appointment- Rollei Lumis Compact RGB
- Continuous light
- small RGB light for your pocket
- super compact and lightweight light with 120 LEDs (42 warm white, 42 cool white and 36 RGB LEDs)
- applicable in 3 modes: RGB mode, CCT mode (color temperature) and effect mode
- intuitive operation via rotary wheels on the side of the luminaire
- continuously adjustable brightness (0 -100%) and saturation (0 -100%)
- RGB mode with 360 adjustable RGB colors and CCT mode with adjustable color temperature between 2500-9000K
- with 20 effects whose brightness can be adjusted via the rotary wheel
- NANLITE FS-60B Bi-Color studio spotlight
- compact and very lightweight white light spotlight (2700 - 6500 Kelvin)
- suitable for photo and video shoots
- ideal for portraits, interviews, social media activities, vlogging, video conferences and webinars
low-noise cooling fan (can be switched off) - Bowens bayonet connection
- Godox LA300R - Litemons in the LED Light RGB version and the color white
- high light output and color rendering
- 92.900 LUX (1m) and 330W LED output
- Color temperature 1800 K - 10000 K (+/- 200K)
- Brightness continuously adjustable between 0% - 100%
- LC display
- 11 FX light effects
- Bowens accessory holder
- Robust bi-color LED light with 220W
- ideal for professional video lighting
- integrated power supply unit and 11 FX effects
- Color temperature from 2,800 - 6500 K
- Bluetooth control via app possible
- simple simultaneous control of several lamps
- high-quality metal housing
- efficient and quiet heat dissipation
- Accessory holder: Bowens S-Mount
- Godox ML100 BI KIT 2 - LED light kit
- small, portable LED video light
- Power: 100 Watt max
- Color temperature: 2800 - 6500 Kelvin
- Light intensity: 34300 lux at a distance of 1 m
- excellent color rendering: CRI ≥97 / TLCI: ≥98
- Beam angle: 15° (reflector ML-L15) / 36° (reflector: ML-L36)
- Godox SL300R LED light RGB
- multiple color modes
- compact design
- four control modes
- Mute mode
- 43.300 lux brightness
- Power: max. 310W
- CCT: 2500K~10000K
- Brightness range: 0%-100%
- Godox SL-300 III LED light Daylight
- Output power: max. 330 W
- Bluetooth range approx. 30 m
- 2.4 Ghz range approx.: 50 m
- Color temperature (CCT): 5600 K ± 200K
- TLCI: 97, CRI: 96
- Brightness range: 0% - 100%
- Godox LED SL100Bi BI-Color
- Bicolor LED light
- 100 W output power, bicolor - 32100 LUX
- Color temperature 2800K to 6500K
- high color rendering index CRI >96, TLCI >97
- 120 degree beam angle
- ultra-compact LED effect light
- Color: midnight blue
- 4211 Lux
- 36.000 colors
- 14 special effects
- variable color temperature (2700-7500 K)
- dimmable
- integrated rechargeable battery
- App control
- incl. magnetic diffuser and accessory shoe adapter
Meaning of the delivery status
Immediately available
The item is in stock and can be shipped at short notice.
The item is also in stock in our shop in Düsseldorf.
Delivery time (from-to) working days after receipt of payment
The item is not in stock in our inhouse warehouse and will be ordered from the external warehouse/manufacturer or disributor after you have placed an order. The expected delivery time is listed with the item.
Item has been ordered
The item has already been ordered from the manufacturer or distributor. The delivery time is usually between 1 week and 2 months. As soon as a more precise delivery time is known, we will publish the details on our website. After placing the order, you will be informed regularly about the delivery time.
Available at a specified date
The item has already been ordered from the manufacturer or distributor. We have been informed of the expected delivery date.
We are happy to order for you
The item is currently not in stock and will be ordered for you from the manufacturer or distributor after you have placed an order. The delivery time is usually between 1 week and 2 months. After placing the order, you will be informed regularly about the delivery time.
Item has been ordered. Delivery time 1-3 months
The item is currently not available. We were not given a delivery time. Experience shows that the expected delivery time is 1-3 months.
Goods have been ordered. Long delivery time expected. Pre-order now and secure your place on the waiting list.
The manufacturer or supplier cannot confirm a date, so we assume a waiting time of 2 to 9 months. You can still order the item and secure your place on the waiting list.
Please note: Despite updating our website regularly, it is possible that an item may be out of stock but shown as available for a short time, especially when orders are high. All information is therefore without guarantee. We will inform you immediately if there is a delay in the expected availability/delivery time. The availability information refers to an order quantity of 1. Availability may vary for higher order quantities.
Delivery alarm
You would like to be informed as soon as the item is in stock?
Notification when the product is back in stock No reservation and no place on the waiting listYou want to reserve the product?
Order now, pay later (prepayment) Notification when the product is back in stock Product reservation and fixed place on the waiting list Cancellable at any time free of charge (until delivery)Video lights for content production
Video lights / continuous lights are quite easy to use, because they are most similar to sunlight. In contrast to flash light, you can see the effect of the continuous light on the object to be illuminated immediately, although you can switch on a modeling light with flash lights, the lamp is usually not 1:1 the same in brightness.
Effect of continuous light vs. flash on the pupil
The pupil behaves differently to the two exposure methods, because with a continuous light the pupil is smaller / more contracted than with a flash light, because the eye tries to correct the exposure, while the short impulse of the flash light acts on the pupil only for a very short moment, so that the iris reacts too late and the pupil does not contract. The strength of this effect depends on the angle of incidence and the intensity of the continuous light. Continuous light offers an advantage here when used in still life, such as product or food photography.
The perfect video light?
The light alone, without softbox differs in the light color / color fastness. So when buying you should be careful to buy a light with the highest possible CRI / TLCI / CI value. Here, especially RGB lights are often worse than, for example, pure white lights are.
Video lights / continuous lights - Outdoor & Indoor?
Those who use a permanent light indoors can fall back on a battery-operated version. Those who also want to work outdoors, with a continuous light, should make sure that the battery is compatible, these usually support the film standard V-Mount. These batteries are very powerful and offer a lot of flexibility and can therefore be used in other ways than just for lamps on the set.
Using softboxes on a continuous light
Continuous lights not only offer a lot of uses, they can also have connections for softboxes, which makes it possible to use them to change the light characteristics as well. It is always advisable to have different light shapers on hand in order to use the right light shaper for the intended purpose. The size, for example, plays a role in the choice of the strength of the light, because a large softbox, which produces a soft light, also needs more power to be well illuminated. However, a continuous light / video light with a large softbox also illuminates a larger area.
